By Sharon Finmark
Colour is prime to portray and the facility to combine and reproduce particular colours is an artwork in itself. color concept will be uninteresting and intricate, yet during this publication, skilled artist and instructor, Sharon Finmark, demonstrates color blending in a pragmatic and easy-to-follow approach. as well as being an in depth visible sourcebook to almost six hundred color mixes, there are work featured all through with all of the assorted colors and mixes in each one portray analysed and annotated. during this manner, watercolour painters research through program tips on how to get the simplest out in their paints.
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Additional resources for 600 Watercolour Mixes
Cadmium Orange and Raw Sienna in wet-into-wet offers a softer surface. Prussian Blue is used sparsely and is tonally similar to the warm colours. The painting shown right was made on the spot and I exaggerated the colours I could see for greater impact. The bright light gave me the opportunity to use high-key, strong colour and definite contrast. The cool shadows are blue and violet mixes to set off the complementary orange-yellow sunlit walls and roofs. While also a Mediterranean scene, the street shown left was in mellower light and the actual colours of the stonework were pale and delicately textured.
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While also a Mediterranean scene, the street shown left was in mellower light and the actual colours of the stonework were pale and delicately textured. To represent them I used a lower-key range of colours, diluting them more to achieve subtle shades. Even the windows are not painted starkly, to avoid making too much of a contrast and to retain the soft atmosphere. FRENCH VILLAGE STREET The strong use of Cobalt Blue sets off the warmer yellow and orange walls, while the red door draws the viewer’s eye down to the end of the street.