An Explosive Chess Opening Repertoire for Black by Jouni Yrjölä, Jussi Tella

By Jouni Yrjölä, Jussi Tella

This publication equips the reader with every thing she or he must understand to play Black in a online game of chess. skilled Finnish avid gamers have defined an exhilarating repertoire in keeping with the flow 1...d6 in respond to no matter what White's first stream occurs to be. Black's method is hypermodern and dynamic: White is inspired to grab house, whereas Black develops his items swiftly and actively, looking ahead to the precise second to assault and spoil White's principal bastions. the diversities endorsed were confirmed in top-level play and feature quick-strike power if White is in any respect careless or obscure. The repertoire is predicated round the Pirc Defence and the diversities 1 d4 d6 2 c4 e5 and 1 d4 d6 2 Nf3 Bg4, which are compatible seamlessly including 1...d6 platforms opposed to White's quite a few flank openings.

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For my children and grandchildren, who gave me the strength to carry on through the darkest of times. For my late wife Rose, who passed away much too young, but will live on in our hearts forever. And finally, for Brittany and Cole, who proved to me that miracles do happen, and that strength, hope, and courage sometimes come in the smallest of packages. Secondly, This Is Not A Game is dedicated to the Urban Hunt Puppetmaster team – Dee, Becca, Diandra, Rick, and Paul – who made my latest excursion into the land of Alternate Reality Gaming enjoyable and memorable.

The caves at Lascaux, France are thought to have originated around 15,000 BC and are often cited as some of the finest examples yet found of this form of immersive prehistoric art. ” Some archeologists argue that cave paintings such as these were the “storytelling medium” of the time, a means of cultural transference and even entertainment among the primitive people. Others argue that their private and almost inaccessible locations mark these rooms and the images they contain as something much more than mere stone-age storybooks.

Dee Cook, one of my fellow Puppetmasters from my latest game Urban Hunt. She contributed a personal reflection on the game creation experience in Appendix C. • Paul Melamud, another of my fellow Puppetmasters from Urban Hunt. Paul contributed a detailed analysis of one of the puzzles he created for the game in Appendix D. Thank you to each and every one of the above people who made This Is Not A Game possible. I hope the book inspires many new Alternate Reality Gaming fans and Puppetmasters long into the future.

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